I’ve been working on this little series in which I do short introductions to some theories and concepts around theatre studies. As someone who loves the ephemerality of fringe theatre, musicals-with their tightly scored choreography repeated across the globe-have always been interested me. But that doesn’t stop me finding Hamilton, Les Mis or Billy Eliot super catchy. This week, I took a deep dive into megamusicals.
(Megamusicals and McTheatre: WTF? | https://youtu.be/P509IDItTb0)